Act 4
Scene III
The forest.
| Enter Rosalind and Celia. | |
| Rosalind | How say you now? Is it not past two o’clock? and here much Orlando! |
| Celia | I warrant you, with pure love and troubled brain, he hath ta’en his bow and arrows and is gone forth to sleep. Look, who comes here. |
| Enter Silvius. | |
| Silvius |
My errand is to you, fair youth;
|
| Rosalind |
Patience herself would startle at this letter
|
| Silvius |
No, I protest, I know not the contents:
|
| Rosalind |
Come, come, you are a fool
|
| Silvius | Sure, it is hers. |
| Rosalind |
Why, ’tis a boisterous and a cruel style.
|
| Silvius |
So please you, for I never heard it yet;
|
| Rosalind |
She Phebes me: mark how the tyrant writes. Reads.
Can a woman rail thus? |
| Silvius | Call you this railing? |
| Rosalind |
Reads.
Did you ever hear such railing?
Meaning me a beast.
|
| Silvius | Call you this chiding? |
| Celia | Alas, poor shepherd! |
| Rosalind | Do you pity him? no, he deserves no pity. Wilt thou love such a woman? What, to make thee an instrument and play false strains upon thee! not to be endured! Well, go your way to her, for I see love hath made thee a tame snake, and say this to her: that if she love me, I charge her to love thee; if she will not, I will never have her unless thou entreat for her. If you be a true lover, hence, and not a word; for here comes more company. Exit Silvius. |
| Enter Oliver. | |
| Oliver |
Good morrow, fair ones: pray you, if you know,
|
| Celia |
West of this place, down in the neighbour bottom:
|
| Oliver |
If that an eye may profit by a tongue,
|
| Celia | It is no boast, being ask’d, to say we are. |
| Oliver |
Orlando doth commend him to you both,
|
| Rosalind | I am: what must we understand by this? |
| Oliver |
Some of my shame; if you will know of me
|
| Celia | I pray you, tell it. |
| Oliver |
When last the young Orlando parted from you
|
| Celia |
O, I have heard him speak of that same brother;
|
| Oliver |
And well he might so do,
|
| Rosalind |
But, to Orlando: did he leave him there,
|
| Oliver |
Twice did he turn his back and purposed so;
|
| Celia | Are you his brother? |
| Rosalind | Was’t you he rescued? |
| Celia | Was’t you that did so oft contrive to kill him? |
| Oliver |
’Twas I; but ’tis not I I do not shame
|
| Rosalind | But, for the bloody napkin? |
| Oliver |
By and by.
|
| Celia | Why, how now, Ganymede! sweet Ganymede! |
| Oliver | Many will swoon when they do look on blood. |
| Celia | There is more in it. Cousin Ganymede! |
| Oliver | Look, he recovers. |
| Rosalind | I would I were at home. |
| Celia |
We’ll lead you thither.
|
| Oliver | Be of good cheer, youth: you a man! you lack a man’s heart. |
| Rosalind | I do so, I confess it. Ah, sirrah, a body would think this was well counterfeited! I pray you, tell your brother how well I counterfeited. Heigh-ho! |
| Oliver | This was not counterfeit: there is too great testimony in your complexion that it was a passion of earnest. |
| Rosalind | Counterfeit, I assure you. |
| Oliver | Well then, take a good heart and counterfeit to be a man. |
| Rosalind | So I do: but, i’ faith, I should have been a woman by right. |
| Celia | Come, you look paler and paler: pray you, draw homewards. Good sir, go with us. |
| Oliver |
That will I, for I must bear answer back
|
| Rosalind | I shall devise something: but, I pray you, commend my counterfeiting to him. Will you go? Exeunt. |